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Category archive for: Tenant News

3
Dec

Ammo at Punch Records sent through this 11 minute video report on the BASS Festival which I’ve uploaded for your viewing pleasure:

Also, congratulations to Ammo for being selected for the Couvoisier Future 500 network.

2
Dec

Last week artist Ian Cook was building a Christmas tree at the Custard Factory commissioned by Poundland made of their own products. It’s finished and the tree is currently on show at The Studio on Cannon Street before Poundland launch it to the press next week. Here’s a photo!

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2
Dec

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Fancy taking to the stage and treading the boards in 2009? Then Class Act may be the ones for you…

2
Dec

The Studio4 gallery at the Custard Factory gets a nice profile in The Guardian’s Urban Undiscovered microsite.

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Future Systems’ dramatic, aluminium-clad Selfridges building in the new Bullring Centre may be the icon of Birmingham’s inner city regeneration, but the real seed of the city’s cultural rebirth has been sown 10 minutes down the road in Digbeth. The old Bird’s Custard Factory is now home to 20,000 sq metres of club, theatre, media and workshop space – among it, a small but vibrant gallery called Studio4, the nerve centre of Birmingham’s new art underground.

Studio4 is a joint venture between the Outcrowd Collective and Beat13, two local street/folk art cabals who have graduated over the last six years from hosting coffee-shop shows, via temporary displays at the Custard Factory, to owning their own permanent space within the complex.

read on…

21
Nov

Adam from Looks Can Kill sent through some info about Kings Of Neon, a new venture he’s starting:

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Kings of Neon is a concept brand offering a personalised footwear service. Our service is completely unique in that we are able to print footwear in colour and detail with any supplied graphic and with short lead times. Photos, names, band names, company logos, an illustrators favourite piece, a sports team, a dance team; everything and anything can be branded onto the most popular styles and brands of footwear.

We produce one off pairs (perfect for presents) through to supplying band merchandise and corporate events. Individual personalised pairs are £29.99. For prices on larger orders contact Adam Duffy.

21
Nov

Cinnamon Aitch emailed to say their range of hand-made Christmas cards is now for sale to tenants. Please pop into Studio 203 in Scott House, 8.30 - 4.30 Monday - Thursday. All cards are £2.00 each.

21
Nov

Fiona & Bernie from World of Homoeopathy send this for publication after chatting with Frankie on reception. They have a shop on Gibb Terrace.

Hi All,

Frankie tells us that a lot of you in the Custard Factory, are not aware of us and what we do, right on your very doorstep! So below is a short description of what Homoeopathy is about, and other things that we cover in the service we offer.

What is Homoeopathy?

A complete system of alternative medicine , which reminds the body how to get back to its natural balance, without the need of addictive drugs. And no side effects!!!

What is Hair analysis? What can it tell me?

For whatever reason: Stress! Grief! Job change or loss! Marriage and partnership breakups! Our bodies can start to get tired, weary, drained of energy, and what energy we do have seems to be going round that same old thought process. Sleep can be restless, un-refreshed or in short supply, then other things start to happen; constant coughs, colds, headaches, mood swings, aches and pains, indigestion , IBS, depression, etc. All of these are signs the body is becoming more imbalanced. Hair analysis is a good place to start, it will show if there are simple foods draining the system. Deficiencies of vitamin and minerals that can also be creating excessive tiredness .

What is Reiki?

A relaxing form of healing , which unblocks stuck energy both emotional and physical to aid a more stress free approach to life.

Reiki (Wednesday & Saturday afternoons – by appointment only)

Tuesdays only from November 25th to December 16th, from 12.30 to 2.00pm, we are offering free 10 minute consultations. To give you a better idea of how Homoeopathy can help you to maintain a healthy more stress free approach to the problems we all encounter within the home and work environment.

Christmas Gift Vouchers
£5, £10, £20 (available now)

Treatment gift vouchers :
Reiki £30
Hair Analysis £35
Homoeopathic Consultations £50 & £35

Ready made or tailor made remedies (tablets):
Coughs, Colds , Flu, Coldsores, Stress, Tiredness, Headaches, Toothache plus much more

Also a range of remedies for babies teething, colic, bumps and bruises and temperatures.

We also stock oils for burners etc

20
Nov

Claire Farrell of EC Arts sent through a load of information about a public art project she’s involved with in Digbeth. Here’s the artist’s sketch:

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The final piece, she says, will be “181 linear meters spanning Mill Lane, Bradford St and Rea Street, standing at lowest point 2.2 meters per sculpture/haunch and rising to 6 meters tall” and is due to be finished next Autumn.

Here’s the artist’s statement by Rob Colbourne & Stuart Mugridge:

Digbeth Public Art Artists Statement

Artist Statement Rob Colbourne & Stuart Mugridge Digbeth Public Art concept 1. Industriality, Digbeth and the coach station. The boundary ‘fencescape’ – that it is not ‘one object’ but an ‘array of related features’ – a landscape of relations. In effect the individual components aim to provoke a sense of intrigue, whilst creating other effects holistically throughout its structure. The old station’s interior candidly exposed its raw industrial construction when looking upward to the ceiling. Aiming to maintain that authenticity, whilst reinterpreting this into something new, the boundary fence explodes this raw grittiness outwardly to the edges of the apron, the old interior becoming exterior, following the ethos of this re- development. 2. Forms and the Directionality of Weight. Merging the old station’s identity and that of the forms of a weighbridge, the individual components that make up the boundary, perhaps, in effect turn the whole site into a kind of weighbridge, where people are loaded and unloaded. *These individual components also lean, playing with their own notion of centre of gravity, the horizontal and vertical. They are formed by folding a flat sheet into a 3D form, in itself something that can balance. This fold allows us to experiment in how the structure can lean up to its ‘tipping point’. This leaning gives us notions of architectural balance, or something that implies a moment of rested potential movement. 3. Solid and Slitted structure; Movement and Flow. The boundary is about the experience of it, not necessarily the object itself. From passing it at different angles and perspectives, it can seem to be quite solid, though your own movement, gaps appear between haunches. From entering at another angle, the L shaped haunch allows for a ‘slit’ to open up that allows visual access to the apron. This references the iron ‘slitting’ process of the Lloyd’s mill, previously linked to the site whilst embracing the notion of ‘motion parallax’. The L shaped haunches placed side by side have a unidirectionality that allows for a different effect depending on the angle of approach. Through this it aims to embed the notion of the language of a station and public transport, symbols that promote travelling in a space of transition. 4. Transparency The gaps between haunches are quite important. As a fence it requires no horizontal element to hold it together. This in effect created a continuous vertical gap that can suggest that the boundary invites you to visually experience the space beyond, whilst at some points it seems comparatively solid. Indeed, through our research in this area we have noted that Digbeth is full of glimpses into workshops, factories and so forth, through grilles, fences and shutters. However often fences and other restrictions can seem hostile and separating public and private space in quite an unfriendly nature. The boundary fence both aims to maintain this character, but not the sense of restriction and negativity associated with that. Therefore we can see and experience what goes on in this area in a friendly way, reinterpreting the important identity of the area and visually blur the notions of the public and private space. 4. Colour and Finish The boundary fence and its components, of an industrial nature would lend themselves to a contrast in their colour and treatment. This treatment can echo the way Avery’s products were treated, as both raw functional objects, with also a sense of the ornamental. These practices in ‘japanning’ (a type of enameled gloss finish) and the tensions between an industrial structures being finished in this way begin to merge and echo the sensibilities of the place. The use of Red as a colour shouts loudly through the site’s history. Used in decorating Avery’s weighing apparatus, it also became a motif for the site’s occupation by the Birmingham and Midland Motor Omnibus Company Limited also known as Midland Red, who aimed to ‘ Paint the Midlands Red’ with their fleet. In the same vein this colour would be very recognizable as a king of alternative signage, and links to other symbols that can be integrated within art involvement at the station. . 5. Lighting The modular nature of the boundary lends itself well to a lighting system of the same nature. Rather than a wash of light across the whole fence haunches will be lit individually to establish a framework of visual rhythm. Lighting would be set incrementally using groupings related to the avoirdupois system of weight i.e. using a more imperial system of division. Like the milled divisions on a pre-decimilisation ruler the lit haunches will be divided into more imperial subsets of 2s and 12s. Imagine every other haunch lit white and every twelfth lit red – the eye of the viewer measures its progress along the expanse of the fence, or measures the movement of coaches against this backdrop. This division although inspired by weight also begins to reference distance as it highlights senses of movement and progress. Through careful lighting the boundary fence will establish a balanced interplay between light and shadow – through the use of shadow the lighting becomes more effective. From the street side of the boundary the passer-by will have highlighted glimpses into the station as the view inwards becomes revealed and concealed with every passing step. Again progress will be reckoned as the spilt white light is incrementally replaced by a glow of red light.

Here’s a photo of the prototype being built and tested:

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And a video:

18
Nov

Something of a spate of website redesigns at the moment. Must be the time of year. Here’s Substrakt’s new site:

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6
Nov

Punch%20high%20res%20(3)Punch Records have revealed the theme for the 2009 BASS (British Arts and Street Sounds) Festival - “Inspired by Africa and Africans.”

The aim of this year’s theme is celebrate and explore Africa’s influence on the arts scene. Working with mainstream and grassroots organisations, we will also be encouraging a broad range of audiences to participate in and experience the global impact of African cultural expression.

BASS 09 isn’t just about djembe drumming! We will be celebrating the wealth of African talent present in the UK through international artistic exchange, major presentations of contemporary work, new installations, artist lounges, concerts and masterclasses.

They’re also open for comissions for the festival, welcoming “from any art form (music, film, fashion, visual art, theatre, dance, etc) but will favour those that have a bias towards urban or black forms of expression or content.” In the past these have included:

  • Grime theatre show
  • Photographic exhibition of Hip Hop legends
  • Film screening and Q&A with graffiti legends Henry Chalfant and Goldie
  • Live Jazz and Hip Hop night with Jazzanova and Eska Mtungwazi
  • Book launch on the history of Reggae Dj’s and sound systems with Dr Lez Henry
  • Hip Hop and Poetry fusion night with Ursular Rucker and Ty
  • Sole Elements – exhibition featuring trainer and street inspired art

Full details and application form here.