Call Us : 0121 224 7777

Email : info@custardfactory.co.uk

25
Nov

the pillowman poster

One to pop into your diaries, chaps. 3Bugs Fringe Theatre are set to tread the CF Theatre’s boards December 2nd and 3rd with their stunning adaptation of this saucy modern classic.

25
Nov

Something saucy and ever-so-slightly scandalous looms into sight in December at the CF Theatre. 3Bugs Fringe bring the Orton classic to this exciting venue. Grab your tickets now whilst they still last!

25
Nov

Items of interest found about the place

  • Patrick “The Mighty” Quinn vs Dangerous Dale - You be familiar with concerts, gigs and club night taking place is Space2 but did you know it occasionally hosts boxing? Here’s a video of the sport in action.
  • Social Media Surgery for Voluntary Organisations - Last month a bunch of bloggers ran a surgery for charities and the like at the BVSC centre in Digbeth. It was a tremendous success so we’re doing it again. Any charities or similar are more than welcome to come along and see how blogging, etc can help you achieve your aims. No charge and there’ll be refreshments.
  • A Creative Masterclass with Michael Wolff - Rescheduled from last month, this Creative Republic event sees branding expert Wolff (who was the keynote speaker at the Plus design expo last year) lead a masterclass developing a brief for the, currently fantasy, role of a Creative Director for Birmingham.
  • Substrakt have moved to Fazeley Studios - and welcome all visitors. They have a pool table aparently.
  • Gigbeth Links Round-up - Jon Bounds started gathering the online collective memory from Gigbeth. I’m sure there’s more out there so feel free to add links in his comments.
  • Fireloop Creative won an award - Bronze at the Cream 2008 awards for the steakandbyday.co.uk site. They also have a blog, which I’ve added to the blogroll here.
  • The Antiques Diva loves the Custard Factory Flea Market - “Stalls range from the bizarre to the truly wonderful. Japanese baby clothes, vintage and handmade garments, rare records, original photography and art, crepe suzettes, pottery, kitsch collectables and homemade fudge are a small taste of what’s available.”
  • Rumble Rumble - Penumbra reviews Saturday’s Dan le Sac vs Scroobius Pip gig at the Factory Club.
24
Nov

Now the Custard Factory website is pretty much operational and is getting more attention I’m bringing in some more writers for the blog. The responsibilities are divvied up as a follows.

Frankie Kane and Katie O’Neill on reception are looking after Tenant News. If you’re a Custard Factory tenant (in that you rent a space here) you should send your news to info@custardfactory.co.uk

Jonathan Goodwin is looking after Events News. He books out the Gallery and Theatre amongst other things and works with Dave Peebles on lettings. If you’re putting on an event at the Custard Factory email him at jonathan.goodwin@custardfactory.co.uk.

The most important thing, however, is that you put your news online somewhere and send us the link. If you don’t have your own website (or have been lumbered with a site you can’t update easily) I recommend you use the free service from Posterous which couldn’t be simpler. Write you news in an email, attach any images, documents and mp3s that are relevant and email it to post@posterous.com. They’ll then email you a link to a page containing all your information nicely laid out along with an option to edit it. Once you’re happy with this, send the link to the the relevant person.

Seriously, Posterous is as simple as it gets. Give it a go.

Meanwhile I, Pete Ashton, will continue tracking the Internets for snippets of news using my magical Internet powers, along with keeping an eye on what Katie, Jonathan and Frankie are doing, managing the comments and filling in any gaps.

21
Nov

Adam from Looks Can Kill sent through some info about Kings Of Neon, a new venture he’s starting:

Kings%20of%20neon

Kings of Neon is a concept brand offering a personalised footwear service. Our service is completely unique in that we are able to print footwear in colour and detail with any supplied graphic and with short lead times. Photos, names, band names, company logos, an illustrators favourite piece, a sports team, a dance team; everything and anything can be branded onto the most popular styles and brands of footwear.

We produce one off pairs (perfect for presents) through to supplying band merchandise and corporate events. Individual personalised pairs are £29.99. For prices on larger orders contact Adam Duffy.

21
Nov

Cinnamon Aitch emailed to say their range of hand-made Christmas cards is now for sale to tenants. Please pop into Studio 203 in Scott House, 8.30 - 4.30 Monday - Thursday. All cards are £2.00 each.

21
Nov

Fiona & Bernie from World of Homoeopathy send this for publication after chatting with Frankie on reception. They have a shop on Gibb Terrace.

Hi All,

Frankie tells us that a lot of you in the Custard Factory, are not aware of us and what we do, right on your very doorstep! So below is a short description of what Homoeopathy is about, and other things that we cover in the service we offer.

What is Homoeopathy?

A complete system of alternative medicine , which reminds the body how to get back to its natural balance, without the need of addictive drugs. And no side effects!!!

What is Hair analysis? What can it tell me?

For whatever reason: Stress! Grief! Job change or loss! Marriage and partnership breakups! Our bodies can start to get tired, weary, drained of energy, and what energy we do have seems to be going round that same old thought process. Sleep can be restless, un-refreshed or in short supply, then other things start to happen; constant coughs, colds, headaches, mood swings, aches and pains, indigestion , IBS, depression, etc. All of these are signs the body is becoming more imbalanced. Hair analysis is a good place to start, it will show if there are simple foods draining the system. Deficiencies of vitamin and minerals that can also be creating excessive tiredness .

What is Reiki?

A relaxing form of healing , which unblocks stuck energy both emotional and physical to aid a more stress free approach to life.

Reiki (Wednesday & Saturday afternoons – by appointment only)

Tuesdays only from November 25th to December 16th, from 12.30 to 2.00pm, we are offering free 10 minute consultations. To give you a better idea of how Homoeopathy can help you to maintain a healthy more stress free approach to the problems we all encounter within the home and work environment.

Christmas Gift Vouchers
£5, £10, £20 (available now)

Treatment gift vouchers :
Reiki £30
Hair Analysis £35
Homoeopathic Consultations £50 & £35

Ready made or tailor made remedies (tablets):
Coughs, Colds , Flu, Coldsores, Stress, Tiredness, Headaches, Toothache plus much more

Also a range of remedies for babies teething, colic, bumps and bruises and temperatures.

We also stock oils for burners etc

20
Nov

Claire Farrell of EC Arts sent through a load of information about a public art project she’s involved with in Digbeth. Here’s the artist’s sketch:

brad%20concept%20sketch2

The final piece, she says, will be “181 linear meters spanning Mill Lane, Bradford St and Rea Street, standing at lowest point 2.2 meters per sculpture/haunch and rising to 6 meters tall” and is due to be finished next Autumn.

Here’s the artist’s statement by Rob Colbourne & Stuart Mugridge:

Digbeth Public Art Artists Statement

Artist Statement Rob Colbourne & Stuart Mugridge Digbeth Public Art concept 1. Industriality, Digbeth and the coach station. The boundary ‘fencescape’ – that it is not ‘one object’ but an ‘array of related features’ – a landscape of relations. In effect the individual components aim to provoke a sense of intrigue, whilst creating other effects holistically throughout its structure. The old station’s interior candidly exposed its raw industrial construction when looking upward to the ceiling. Aiming to maintain that authenticity, whilst reinterpreting this into something new, the boundary fence explodes this raw grittiness outwardly to the edges of the apron, the old interior becoming exterior, following the ethos of this re- development. 2. Forms and the Directionality of Weight. Merging the old station’s identity and that of the forms of a weighbridge, the individual components that make up the boundary, perhaps, in effect turn the whole site into a kind of weighbridge, where people are loaded and unloaded. *These individual components also lean, playing with their own notion of centre of gravity, the horizontal and vertical. They are formed by folding a flat sheet into a 3D form, in itself something that can balance. This fold allows us to experiment in how the structure can lean up to its ‘tipping point’. This leaning gives us notions of architectural balance, or something that implies a moment of rested potential movement. 3. Solid and Slitted structure; Movement and Flow. The boundary is about the experience of it, not necessarily the object itself. From passing it at different angles and perspectives, it can seem to be quite solid, though your own movement, gaps appear between haunches. From entering at another angle, the L shaped haunch allows for a ‘slit’ to open up that allows visual access to the apron. This references the iron ‘slitting’ process of the Lloyd’s mill, previously linked to the site whilst embracing the notion of ‘motion parallax’. The L shaped haunches placed side by side have a unidirectionality that allows for a different effect depending on the angle of approach. Through this it aims to embed the notion of the language of a station and public transport, symbols that promote travelling in a space of transition. 4. Transparency The gaps between haunches are quite important. As a fence it requires no horizontal element to hold it together. This in effect created a continuous vertical gap that can suggest that the boundary invites you to visually experience the space beyond, whilst at some points it seems comparatively solid. Indeed, through our research in this area we have noted that Digbeth is full of glimpses into workshops, factories and so forth, through grilles, fences and shutters. However often fences and other restrictions can seem hostile and separating public and private space in quite an unfriendly nature. The boundary fence both aims to maintain this character, but not the sense of restriction and negativity associated with that. Therefore we can see and experience what goes on in this area in a friendly way, reinterpreting the important identity of the area and visually blur the notions of the public and private space. 4. Colour and Finish The boundary fence and its components, of an industrial nature would lend themselves to a contrast in their colour and treatment. This treatment can echo the way Avery’s products were treated, as both raw functional objects, with also a sense of the ornamental. These practices in ‘japanning’ (a type of enameled gloss finish) and the tensions between an industrial structures being finished in this way begin to merge and echo the sensibilities of the place. The use of Red as a colour shouts loudly through the site’s history. Used in decorating Avery’s weighing apparatus, it also became a motif for the site’s occupation by the Birmingham and Midland Motor Omnibus Company Limited also known as Midland Red, who aimed to ‘ Paint the Midlands Red’ with their fleet. In the same vein this colour would be very recognizable as a king of alternative signage, and links to other symbols that can be integrated within art involvement at the station. . 5. Lighting The modular nature of the boundary lends itself well to a lighting system of the same nature. Rather than a wash of light across the whole fence haunches will be lit individually to establish a framework of visual rhythm. Lighting would be set incrementally using groupings related to the avoirdupois system of weight i.e. using a more imperial system of division. Like the milled divisions on a pre-decimilisation ruler the lit haunches will be divided into more imperial subsets of 2s and 12s. Imagine every other haunch lit white and every twelfth lit red – the eye of the viewer measures its progress along the expanse of the fence, or measures the movement of coaches against this backdrop. This division although inspired by weight also begins to reference distance as it highlights senses of movement and progress. Through careful lighting the boundary fence will establish a balanced interplay between light and shadow – through the use of shadow the lighting becomes more effective. From the street side of the boundary the passer-by will have highlighted glimpses into the station as the view inwards becomes revealed and concealed with every passing step. Again progress will be reckoned as the spilt white light is incrementally replaced by a glow of red light.

Here’s a photo of the prototype being built and tested:

4

And a video:

18
Nov

The Birmingham Central blog is currently going through the council’s Big City Plan and producing some very useful summaries of the notions contained therein. Part 3 is particularly of interest to us as it deals with the connectivity issues across the city centre and the various options for the quarters under development including Digbeth / Eastside where the Custard Factory resides.

it also has some nice diagrams. If you like diagrams.

bigcityspatial2

via D’log

18
Nov

Items of interest found around the Internets

  • New Birmingham Studios to offer homes to creative firms. - Lots of information in this Birmingham Post article about Fazeley Studios.
  • City councillor wants Birmingham to celebrate creative communities - Birmingham Post - With the Creative City Awards coming up Councilor Neville Summerfield bigs up the creative industries:

    “As a civic leader Birmingham City Council has to establish and nurture progressive partnerships with all sectors of industry, within its city walls and outside them. It is our duty and our proud responsibility to create a culture of communication, recognition and mutual respect from which a healthy marriage of the private and the public sectors can be free to build the roads to future successes.”

  • Plus+ Roundup - Who said what about the design festival.
  • Birmingham Creative City Awards finalists - The contenders for the council’s annual awards are up featuring a number of Custard Factory and Big Peg tenants. The ceremony is on Saturday November 29th.
  • Time for Birmingham to support the independent arts - Helga Henry of Fierce Earth and Creative Republic, calls on Birmingham to extend the support given to the CBSO et al to smaller independent outfits. It does sound like she’s talking about Digbeth here…